The Foundation comprises three
elements: the Trustees, a Board
of Advisors, the Council.
Board of Advisors
Richard Armstrong,
Director, Solomon R Guggenheim Museum and Foundation
Gary Tinterow,
Director, Museum of Fine Arts, Houston
Jock Reynolds,
Henry Heinz II, Director Yale University Art Gallery
Jay Xu,
Director of Asian Art Museum, San Francisco
Wang Huangsheng,
Director of CAFA Art Museum of Central Academy of
Fine Arts, Beijing
Melissa Chiu,
Director, Asia Society Museum and Curator for
Contemporary Asian and Asian-American Art
Kwok Kian Chow,
Deputy Chairman, Yellow River Arts Centre, China
Alfred Pacquement,
Director, Musee National d’Art Moderne, Centre
Georges Pomidou
Jan Stuart,
Keeper of the Department of Asia, British Museum
Wu Hung,
Harrie A. Vanderstappen Distinguished Service Professor in Chinese Art History, Director of the Center for the Art of East Asia, and the Consulting Curator of the Smart Museum of Art at the University of Chicago
Trustees
Pearl Lam
Gao Minglu
Latest
Zhang Huan: In the Ashes of History – Hermitage Museum, St. Petersburg – 2020
posted 17:35 - 21.09.20
Pearl Lam
Pearl Lam is a collector, patron, gallery owner and curator.
As a curator, among many other exhibitions, she conceived and organised the critically acclaimed Awakening: La France Mandarine, an exhibition on the French influence on Chinese art, which was a central part of the 2004 French Year in China. As a patron, she has donated works to museums as various as the V&A, London, the Asia Art Society Museum, New York, the KW Institute, Berlin, the Museum of Art and Design, New York and the Peabody Museum, Boston.
She is the owner of Contrasts Gallery.
Gao Minglu
Gao Minglu has been an active critic, curator, and scholar of contemporary Chinese art since the mid 1980s. His exhibitions on the subject are among the most important ever assembled in the U.S. and China: he was one of the curators of ‘China/Avant–Garde’ in Beijing 1989 and the curator of the groundbreaking exhibition ‘Insideout: New Chinese Art’ organised by Asia Society and SF MOMA. His many publications explore the changing relationship between
global art movements and Chinese tradition.